Showing posts with label watchmen. Show all posts
Showing posts with label watchmen. Show all posts

Monday, March 09, 2009

‘Watchmen’ Dominates Box Office With Estimated $55.7M Opening Weekend


Call it a foregone conclusion, but with opening weekend box office estimates beginning to roll in, there’s now an abundantly clear response to the question, “Who watches the Watchmen?”

The answer: millions of fans.

While the final weekend gross is still unofficial, the L.A. Times is now reporting that, after an impressive $25 million Friday opening and an $18.7M Saturday take added to that, Warner Bros. analysts are predicting “Watchmen” weekend totals to be $55.7M once the smoke clears from the fanboys stampeding to the multiplexes during the film’s premiere weekend.

While “Watchmen” will easily take the #1 spot on the weekend box office chart — not to mention earn bragging rights as the biggest opening of 2009 thus far — the studio was reportedly gunning for a $60M opening weekend total, if not hoping that the film would eclipse the previous March opening champ, “300,” which raked in $70.9M during it’s debut weekend.

Yet, for a film with a running-time just shy of three hours, no big name talent, oodles of brutality, and based on a comic book that most of the general public has never ever heard of, it’s clear that “Watchmen” is a success, and it will be interesting to see how well the film fares in the coming weeks as more fans who couldn’t get into this weekend’s showtimes make their way to the theaters to check out the flick.

http://splashpage.mtv.com/2009/03/08/watchmen-dominates-box-office-with-estimated-557m-opening-weekend/

Sunday, March 08, 2009

All eyes on 'Watchmen's' box office: $25.1M opening day


The big-screen adaptation of DC Comics' "Watchmen" failed to set opening Friday records but still had a strong initial showing at the box office. The Zack Snyder-directed film brought in an estimated $25.1 million on Friday, according to trade reports.

Variety writes that "Watchmen" had one of the best opening days ever for an R-rated film, behind Friday openings for "The Matrix Reloaded" and "300," another Synder-helmed picture. The second "Matrix" film had an opening day of $37.5 million and "300" pulled in $28.1 million, according to figures available on the website for Box Office Mojo. The R-rated "Passion of the Christ" had a massive opening day as well, roping in $26.6 million on a Wednesday, according to the site.

Overall, Box Office Mojo reports, "Watchmen" had the fifth-highest opening for an R-rated movie. "Sex and the City" had a summer opening just ahead of the numbers posted by "Passion of the Christ" at $26.8 million. Among only superhero movies, the site reports that "Watchmen" had the eighth-highest opening day.

In 2007, Snyder's "300" went on to gross $70.9 million in its first three days, and it eventually brought in more than $210 million in tickets in North America. In discussing the box-office potential of "Watchmen," The Times' John Horn noted that "Warner Bros. and partners Paramount Pictures and Legendary Pictures have invested about $150 million in making 'Watchmen' -- more than twice the $64-million budget of '300.' "

"Watchmen," however, had a stellar showing in its Friday midnight shows. The film opened with a $4.55-million take, ahead of recent midnight openings of franchise films such as "Quantum of Solace" and "Indiana Jones and the Kingdom of the Crystal Skull," according to the Hollywood Reporter. The midnight numbers are included in the $25.1 million.

Lionsgate's "Tyler Perry's Madea Goes to Jail" maintained its second-place position, bringing in $2.5 million on Friday.

http://latimesblogs.latimes.com/herocomplex/2009/03/watchmen-openin.html

Thursday, March 05, 2009

Film "Watchmen" is treasure trove for philosophers



Superheroes don't just make fun characters for comic books and movies.

Their powers, and how they choose to use them, are philosophical treasure troves, and few are as rich and complicated as the protagonists in "Watchmen," which opens in movie theaters around the world this week.

"'Watchmen' is an embarrassment of riches to the comics-obsessed philosopher," said Mark D. White, editor of the book "Watchmen and Philosophy: A Rorschach Test."

The book is one of a series that uses pop culture as an entry point to the sometimes abstract subject of philosophy.

Years in the making, "Watchmen" is the big-screen adaptation of the acclaimed 12-issue comic book series by Britons Alan Moore and Dave Gibbons published between 1986 and 1987.

Like the books, the movie is set in an alternative 1985 when the United States and the Soviet Union are on the brink of nuclear war. It features costumed vigilantes who have become so unpopular they are now outlawed.

But "Watchmen" is far from just popcorn entertainment. Its twisted superhero archetypes, like the tortured do-gooder Rorschach and brainy businessman Ozymandias, take time out from performing death-defying acts to muse on subjects like free will, savior figures and the politics of fear.

"In 'Watchmen,' the philosophy is so explicit that you don't have to dig very hard to find it," said White, an associate professor in the department of political science, economics and philosophy at the College of Staten Island.

ROMAN ROOTS

The original series took the name from the phrase "Who watches the Watchmen?" which dates back to the 1st century Roman poet Juvenal and has been the subject of philosophical debate for centuries.

The essays by academics in "Watchmen and Philosophy" look at how Rorschach justifies his often brutal actions, and tackles subjects like the legitimacy of authority.

The mother and daughter Silk Spectres provide a window into the feminist thinking of French author Simone de Beauvoir. Another chapter is devoted to German philosopher Friedrich Nietzsche's thoughts on the "Ubermensch" (superman).

Although "Watchmen" raises more philosophical questions than most, hit TV shows like medical drama "House" and animated series "The Simpsons" also contain thought-provoking material for those who believe the unexamined life is not worth living.

"Philosophy has had a public relations problem for a couple of centuries. People mistakenly think that philosophy is some dusty academic subject that is irrelevant," said William Irwin, editor of the Blackwell Philosophy and Pop Culture series.

"The mission is to see what the general public like in pop culture and use it as jumping off point for philosophical discussion," said Irwin, professor of philosophy at Kings College, Pennsylvania.

More than 1 million books have been published in the Philosophy and Pop Culture series. Almost all the titles have been translated into Portuguese, mostly for the Brazilian market where Irwin says philosophy plays an important part in culture.

White, who has also written on Batman, says superheroes are fascinating territory for moral philosophers like him.

"They have taken on this extraordinary responsibility, but given that you want to save the world, what should you do first? Catch crooks or cure hunger?" White said.

http://www.reuters.com/news/entertainment

"Watchmen" looks to conquer mainstream audiences


The creators of "Watchmen" call it a new, psychologically complex version of the superhero movie, but they are banking on it to conquer the box office the way conventional comic book movies have done.

To do that, "Watchmen", which opens around the world this week, must attract those who have never heard of characters like Rorschach, Dr. Manhattan and Silk Spectre, and who want a thrilling joyride, box-office watchers said.

For years, filming a movie based on the sprawling 1980s "Watchmen" comic books by Alan Moore and Dave Gibbons was considered impossible due to its multiple characters, violence, digressions and abundance of dialogue.

"It's difficult material. You can't put it on the head of a pin," producer Larry Gordon told reporters.

But fellow producer Lloyd Levin said audiences are getting more sophisticated.

"The movie audience of today has caught up with the comic book audience of the 1980s, and superheroes are the absolute mainstream and I think there is the opportunity to push things a little bit further," Levin said.

"Watchmen", which cost about $120 million to make and runs for 2 hours 43 minutes, is set in 1985 amid the specter of nuclear war between the United States and the Soviet Union.

The only superhero with real powers is a freak of science called Dr. Manhattan who is nearly omnipotent but escapes to Mars because he cannot understand humans and women in particular. Billy Crudup plays the often nude Dr. Manhattan, who was given a computer generated blue glow.

In the meantime, a masked vigilante named Rorschach (James Earle Haley) is tracking the killer of fellow superhero the Comedian (Jeffrey Dean Morgan). Retired superheroes Silk Spectre (Malin Akerman) and Night Owl (Patrick Wilson) join him and unravel a plot with dangerous implications for mankind.

NOVEL IDEAS

The comic book series at the heart of the film from Time Warner Inc's Warner Bros. studio presents its greatest challenge, but also its greatest strength.

The comic books have a passionate base of "fanboys," many of whom are eager to see the story on film. And the series has a literary pedigree, having been named by Time Magazine as one of the top 100 English-language novels since 1923.

Director Zack Snyder, whose 2007 movie adaptation of comic book series "300" made more than $456 million worldwide, has sought to reassure avid readers of "Watchmen" that he was faithful to the source material.

Snyder said a book-bound copy of the comic series was always on the film set, like a Bible, and the actors say they thumbed through it more than the script.

"Has there ever been a movie, a mainstream Hollywood movie that is made for fanboys as much as this movie? Probably not," Snyder said.

But box office analysts say the film faces challenges to reach a mainstream audience. Unlike 2008 top grossing Batman movie "The Dark Knight," the film was given a U.S. rating that requires those under 17 to be accompanied by an adult.

The film is also based on characters less familiar than Batman and Spider-Man, said Paul Dergarabedian, president of box office tracking firm Media by Numbers.

Movie experts believe the movie, which cost about $120 million, could still make more than $50 million its opening weekend. Rival studios have stepped aside for "Watchmen."

"This is pretty much the only new movie to go out this weekend, and it's certainly the most spectacular of the year so far in terms of the look and feel of the picture," said Brandon Gray, president of research company Box Office Mojo.

http://www.reuters.com/news/entertainment

Friday, January 16, 2009

Rival studios reach deal on 'Watchmen' release


Fanboys rejoice! Rival studios say they have resolved their battle over the release of "Watchmen."

The March 6 release of the superhero flick had been in doubt for months as 20th Century Fox and Warner Bros. sparred in federal court over who had proper rights to the film.

Spokesmen for both companies released a statement Thursday night that the studios have resolved the dispute in a confidential agreement.

Settlement discussions ramped up after a judge decided last month that Warner Bros. had violated Fox's distribution interests by shooting the film.

Attorneys for both studios are scheduled to meet with US District Judge Gary Allen Feess on Friday and discuss the agreement.

The statement said both studios "look forward with great anticipation" to the film's release. - AP