Tuesday, May 19, 2009

Are Eminem And 50 Cent Touring Together This Summer?


Are Eminem and 50 Cent touring together this summer? For now, fans can only hope — MTV News' requests to label reps for comment had not been answered at press time — but according to G-Unit member Lloyd Banks, there's been preliminary talk about possibly ramping up the Anger Management Tour again.

"I'm in and out the office, and there's conversations," Banks told MTV News recently. "I'm just as excited as the fans are. The first Anger Management Tour, I wasn't a part of."

Banks said that if Em and 50 do go out, he'll definitely be on the show with the rest of G-Unit.

Eminem was recently a guest on BBC's "Friday Night With Jonathan Ross," and he told the host that he hasn't solidified his touring plans yet.

"As far as touring, I haven't got that far to really figure it out yet. I haven't got that part," he said. "I'm kinda in album cycle right now and promoting. But we'll see how it goes."

Em has been back onstage in promotion of his new LP, Relapse,which officially drops Tuesday. He performed on "Jimmy Kimmel Live!" on Friday, will rock the Kimmel stage again this week, and he announced a special free MySpace concert in Detroit on Tuesday night.

Em's new DJ, acclaimed producer the Alchemist, told Mixtape Daily that he really gets a charge out of seeing Em do the Relapse record "Underground."

"When I first heard [Relapse], that was the song I said, 'This is gonna shut mutha----ers up.' Straight up. It would not be an issue," Al said. "Nobody would be like, 'I didn't like this, I didn't like the flow.' ... When we perform that song, Em takes a spot on the stage, and that's it. He picks a spot and dumbs out. There's not a lot of moving.

"When we're rehearing the song, you know, 'This is gonna be something crazy.' He says, 'Turn the lights down,' they put the spotlight on Em, and it's just snap rap. In the current day and age, you don't hear songs like that. It doesn't seem like any of that other sh-- going on in the world or in the music industry was going on in his mind when he [made the song]. He was strictly into the craft. I don't think anybody is f---ing with that."

http://www.mtv.com/news/articles/1611612/20090518/eminem.jhtml

Monday, May 18, 2009

New "Terminator" no fun without Schwarzenegger


The latest chapter in the successful cyborg series following 2003's "Terminator 3: Rise of the Machines" -- and the first sans Schwarzenegger -- "Terminator Salvation" doesn't skimp on all that crunching heavy metal.

But while incoming director McG (the "Charlie's Angels" movies) certainly gets a rise out of the machinery in the post-apocalyptic thriller, there's little sign of life where the flatly executed human component is concerned.

The terminally sullen results are unlikely to hurt the picture's opening holiday weekend, given the presence of last summer's box office king, Christian Bale. But its total domestic take will fall a lot closer in line with "Terminator 3's" $150.3 million than those gargantuan "Dark Knight" numbers reaped by Warner Bros. (Columbia is handling the film in most international territories.)

Taking place in 2018, or 14 years after the dreaded Judgment Day has occurred, "Salvation" finds armies of Skynet Terminators patrolling the bombed-out remains of the country, searching for the odd pockets of human survivors who managed to survive the blasts.

Among the living, of course, is John Connor (Bale), who despite his uncertainties seems well on his way to becoming the official leader of the Resistance.

He's far less certain about the intentions of Marcus Wright (Australian Sam Worthington), a former death-row inmate-turned-organ donor who appears willing to help him track down a teenager named Kyle Reese (Anton Yelchin), who of course is supposed to grow up to become John's father.

Nevertheless, the two form an uneasy alliance.

Although McG manages to keep the machinery humming 18 years after James Cameron's "Judgment Day" and its liquid metal raised the F/X stakes considerably, anchoring it in any sort of satisfying dramatic context is another story.

And the one provided by "Rise of the Machine" scripters John Brancato & Michael Ferris (curiously there's no mention of original character creators Cameron and Gale Anne Hurd) fails to give Bale and Worthington much opportunity to stand out from all the monochromatic rubble.

In Arnold's absence, an important ingredient of the "Terminator" iconography -- namely, the fun factor -- is in short supply. Apparently sensing the deficiency, the filmmakers have found a couple of ways to pay homage, both in terms of line callbacks and through the magic of special effects.

But at the end of the day, despite the still-potent landscape provided by cinematographer Shane Hurlbut, production designer Martin Laing and visual effects supervisor Charles Gibson -- the film is dedicated to the late Stan Winston, who designed the first T-800 -- and that rumbling, propulsive Danny Elfman score, an inescapable truth remains: It's just not the same without the Governator.

http://www.reuters.com/article/entertainmentNews/idUSTRE54H0AG20090518

Adam Lambert had a 'Wicked,' pre-'Idol' stage life


Before "American Idol" took over Adam Lambert's life, there was "Wicked," not to mention "The Ten Commandments" - yes, a musical version of the sand-and-sandals biblical epic.

The 27-year-old favorite to take the "Idol" crown next Wednesday had a professional musical-theater background before he ever sang for Simon, Paula and the rest of the show's judges.

Lambert did two stints in "Wicked," the mammoth musical prequel to "The Wizard of Oz" - joining the touring company in March 2005 and staying for six months, then opening in the extended Los Angeles production in February 2007 and remaining with the show until October 2008. For both engagements, he was a member of the ensemble and understudied the role of Fieryo, the show's love interest.

Says casting guru, Bernard Telsey, who auditioned Lambert for "Wicked": "Adam was a theater guy. He came in and had that amazing voice or as I like to say 'instrument' because he has this incredible range.

"I literally remember saying, 'Oh my God, this guy has the highest range,'" said Telsey, who has cast such hit Broadway musicals as "Rent," "Hairspray" and the current revival of "South Pacific."

"And you are always looking for ensemble people who have a huge vocal range and vocal power," he said. "In an ensemble of only a handful of voices, you want that kind of a sound. It makes a show feel like there are 20 people in the ensemble as opposed to 10."

At the time, Lambert didn't look David Bowie-esque, Telsey said.

"He didn't look like a rock star. He looked like a normal kid with long hair, wearing jeans and a T-shirt and who had a big rock voice."

What Lisa Leguillou remembers best about Lambert was his fearlessness.

As the associate director of "Wicked" - in charge of keeping the show true to director Joe Mantello's original vision - she said, "I always got a sense that Adam was clear about what he wanted to do.

"He talked about his music a lot with me and what he wanted to do with it in the future. He was clear about that - doing his own stuff, which was rock. And now he's doing it."

And Lambert's singing is effortless, according to Leguillou. "That's what is so shocking. He just opens up his mouth. You never have to worry about him when he is on stage."

In 2004, Lambert made a splash - or at least emerged unscathed - from "The Ten Commandments," a pop-rock opera (starring Val Kilmer as Moses) that had a brief run at the Kodak Theatre in Los Angeles.

Reviews for the show were not kind. The New York Times called it "bland, static, overproduced and underdirected." The Los Angeles Times sniffed, "'The Ten Commandments' has the power to leave an epiphany-seeking theatergoer speechless."

Yet Lambert, portraying the slave Joshua, was favorably noticed by both papers, with the New York reviewer even saying the performer was the show's "most consistent crowd-wower."

For those wanting a look at a pre-"Idol" Lambert, his big number from the show - an anguished sob called "Is Anybody Listening?" - can, of course, be found on YouTube, or on a commercially available DVD.

http://hosted.ap.org/dynamic/stories/U/US_TV_LAMBERT_PRE_IDOL?SITE=AP&SECTION=HOME&TEMPLATE=DEFAULT&CTIME=2009-05-17-13-51-42

"Idol" without Simon could prove turnoff-poll finds


Fans of "American Idol" are as obsessed as ever after eight seasons of the TV talent show, but life without judge Simon Cowell could be a turn-off, according to a poll released on Monday.

New judge Kara DioGuardi gets a lukewarm rating in the AOL Television poll with 44 percent of the 233,795 votes cast judging her "awful" and 30 percent rating her "just ok."

And in a season that has seen speculation over the sexual orientation of finalist Adam Lambert, 59 percent of those polled said they would vote for an openly gay contestant.

Lambert, 27, a musical theater performer with a penchant for black nail polish, will face-off against guitar and piano playing college student Kris Allen, 23, on Tuesday in the race to be crowned "American Idol" and win a recording contract.

Lambert goes into the finale as the judges' clear favorite. But it's the votes of millions of viewers that will determine the winner and fans in the AOL poll had mixed feelings.

Lambert's performance of "Mad World" was rated the best this season. But 20 percent of those polled thought he was the most over-rated contestant this season, although the top votes in that category went to Lil Rounds.

Despite slipping audience ratings this year, "Idol" remains America's most-watched TV show with more than 26 million viewers on average per episode.

Some 70 percent of those polled said they found "Idol" as exciting as ever, with just 12 percent saying the show, which began in 2002, was getting old and 18 percent judging this season "boring".

But 49 percent said they would no longer watch if Cowell leaves the show, and 32 percent said it would depend who replaced him. The often scathing but influential British judge has recently expressed reservations about renewing his "Idol" contract when it ends in 2010.

"American Idol" has proved a successful launch pad for previous winners like Kelly Clarkson and Carrie Underwood.

But almost half of those questioned said winning barely mattered any more, pointing to the success of singers like Chris Daughtry and Jennifer Hudson who did not make the final but went on to make platinum-selling albums and in the case of Hudson, a Grammy award and an Oscar.

The two-part finale of "American Idol" will be broadcast on Fox television on Tuesday and Wednesday.

http://www.reuters.com/article/mediaNews/idUSN1527892220090518

Clouds on horizon for "American Idol" juggernaut?


"American Idol" reaches its climax this week, still ruling the roost on U.S. television after eight seasons, but the battle of the songsters faces declining audiences and limits to its viewer-driven format.

The finale showdown on Tuesday pits musical theater star Adam Lambert, whom Entertainment Weekly magazine called "the most exciting 'American Idol' contestant in years," against college student Kris Allen, a favorite among teenage girls.

What started as a cheesy summer show in 2002 has mushroomed into a cultural phenomenon and an estimated $1 billion-plus brand spanning everything from ice-cream and trading cards to an attraction at Walt Disney World Resort.

"As a reality show, it's unique in that regard," said Brad Adgate, a vice president at advertising buyer Horizon Media.

"Idol" has partnerships with phone company AT&T for fan voting, with iTunes for contestant song downloads, and record company RCA and its sister labels, where Kelly Clarkson, Carrie Underwood and other past winners have cut albums.

But clouds are gathering on the horizon.

Co-producer 19 Entertainment reported its revenue from "American Idol" declined $4.1 million to $24.7 million in the first quarter of 2009 compared to the same period in 2008, as the recession dented sponsorship deals.

The show, which pits aspiring singers in a series of competitions focused on a musical theme each week, has seen a 7 percent viewership drop this season on the Fox network, part of Rupert Murdoch's News Corp media conglomerate.

Fox officials believe the show has a winning formula that could still rule U.S. television for years, even if viewership declines substantially below the current 26.3 million viewers an episode. It is the most-watched TV show in the United States.

Despite a tough advertising environment, the cost of an average 30-second commercial on the finale will be in line with last year's $1.4 million average, advertising experts said.

Last year, "Idol" generated a total of $903 million in commercial ad revenue for Fox, not including product placements, according to TNS Media Intelligence.

Robert Sillerman, chairman and CEO of CKX Inc, the parent company of 19 Entertainment, said plans were afoot to extend the brand, including an Internet product to allow people to play the role of talent judges.

"People have accepted that it is part of American culture, and the deals that we're talking about are long-term," Sillerman said in an interview.

NETWORK CHALLENGERS

Yet rival TV networks have sensed a chance to compete with "Idol" this season where previously they steered away.

CBS programmed the military drama "NCIS" opposite "Idol," and struggling NBC countered with reality show "The Biggest Loser." ABC's "Dancing with the Stars," America's second-highest rated show, is drawing more than 20 million viewers.

"Idol" added a fourth judge in Kara DioGuardi this year and introduced a new rule that saved one contestant from elimination. But with viewer fatigue appearing to set in, there are only so many ways "Idol" can retool, Adgate said.

"They've done some things to tweak it as best they can, but I don't know how much you can tweak it without alienating the core viewer," he said.

Added to the concerns is the possibility British judge Simon Cowell could bolt the show when his contract expires in a year. His exit would be one of the biggest from television since Jerry Seinfeld quit his NBC comedy series in 1998.

"You can actually chart some of NBC's decline from their failure to get Seinfeld to renew," said Larry Gerbrandt, a principal at Media Valuation Partners.

Yet CKX's Sillerman said the appeal of the "Idol" brand remains strong and compared it to successful sports leagues.

"There are people who want to be associated with 'American Idol' the same way people want to be associated with the NBA (National Basketball Association)," he said.

"American Idol" is a joint production of 19 Entertainment, a unit of CKX Inc, and FremantleMedia, a division of British-based RTL Group, which is controlled by media giant Bertelsmann AG.

http://www.reuters.com/article/entertainmentNews/idUSTRE54G1BP20090517

'Idol' Gokey describes run as 'tragedy to triumph'


Thousands of screaming fans, being asked to sing the national anthem at a major league baseball game and a parade: It was all too much for "American Idol" finalist Danny Gokey, who recently returned to his hometown of Milwaukee.

During the parade on May 8, the 29-year-old truck driver cried.

"It's unbelievable," Gokey told former "Idol" contestant Jamar Rogers.

The 29-year-old Gokey, who was voted off Wednesday, said he was grateful to the show and that his "life has turned around: I can't say that enough." With the vote, "Idol" now pits dark horse Kris Allen against early favorite Adam Lambert.

Gokey has come far in his transformation from an unknown widower to the third-place finisher on the popular Fox singing show.

"From tragedy to triumph," he said.

Less than a year ago, Gokey's wife, Sophia, died after surgery for a congenital heart defect. He was so shocked, he couldn't cry at her funeral.

Sophia had been an "American Idol" fan, and they had agreed he would try out. Gokey, then 28, reached the upper age limit for the audition, but a month after her death, he auditioned in Kansas City.

Gokey, a volunteer church music director who knows mostly gospel music, had to learn new songs every week. He also tailored his image, turning his collection of more than 50 pairs of funky glasses and the heart symbol he makes with his hands into his signatures.

He has said he decided long ago to put away bitter feelings and enjoy life, which recently included being tutored by actor and singer Jamie Foxx, complimented by Simon Cowell as "one of the best" and adored by Paula Abdul, who cried when he was voted off the show.

"My whole testimony is overcoming," Gokey said. "Overcoming the impossible in my life, and now I want to take that message and tell people, 'If I can do it, you can do it.'"

Gokey plans to take that message on the road this summer when he tours with the show's top 10 finalists and in charity work for Sophia's Heart Foundation, which he started after his wife died. He said he also wants to make a rhythm and blues CD, although he hasn't yet signed a record deal.

Gokey's 34-year-old brother Charles said his family was devastated by the vote, but that Gokey was now free from "Idol" contracts to do what he wants, including more foundation work.

"I'm a little sad, but at the same time it's a new beginning," said Charles Gokey. "It's a happy beginning for what he can accomplish, with all the exposure he's had."

"I was a nobody, and this show turned me into somebody and I'll always be thankful for the roots that I came out of because I do believe that still the best has yet to come for me," Danny Gokey said on a recent conference call with reporters. "This is not the end of the road."

http://hosted.ap.org/dynamic/stories/U/US_PEOPLE_DANNY_GOKEY?SITE=AP&SECTION=HOME&TEMPLATE=DEFAULT&CTIME=2009-05-17-22-48-48

'Angels & Demons' beams past 'Star Trek' at box office Read more: "'Angels & Demons' beams past 'Star Trek' at box office"


"Angels & Demons" flew to the top spot at the box office, edging out "Star Trek" with $48 million in ticket sales.

The thriller, adapted from the Dan Brown novel and starring Tom Hanks as Harvard symbologist-turned-Vatican savior, fared less well than Hanks' "The Da Vinci Code," which took in $77.1 million its first weekend in 2006.

Still, even with less-than-stellar reviews, "Angels" toppled "Star Trek," which pulled in $43 million over its second weekend.

Meanwhile, Hugh Jackman's "X-Men Origins: Wolverine" locked in the No. 3 spot with $14.8 million in ticket sales.

"Ghosts of Girlfriends Past" conjured up fourth place with a $6.9 million take. "Obsessed," remained a steady earner in fifth place with $4.6 million in sales.

"Angels & Demons" was the only new release, but the weekend remained robust for movies, which have been drawing recession-blind crowds and record-breaking profits that are 16% more than last year.

"We're headed toward a record-breaking summer," said Paul Dergarabedian, box-office analyst for Hollywood.com. "If you've got a blockbuster in the pipeline, you're very happy. "

http://www.nydailynews.com/entertainment/movies/2009/05/18/2009-05-18_demons_take_over_scaring_off_star_trek.html

Saturday, May 16, 2009

Blink-182 announces summer tour


If it hadn't been for drummer Travis Barker's near-fatal airplane crash last year, Blink-182 might not be touring this summer.

But after a five-year hiatus, the rock trio -- Barker, Mark Hoppus and Tom DeLonge -- will embark on a nearly 50-date North American arena and amphitheater tour, beginning July 24 at the Joint in Las Vegas, and wrapping October 3 at the Borgata Events Center in Atlantic City, New Jersey.

The trek will feature support on various dates from Weezer, Fall Out Boy, Panic at the Disco, All-American Rejects, Taking Back Sunday, Asher Roth and Chester French.

"My goal was to have name-brand acts all the way," Blink-182 manager Rick Devoe tells Billboard.com.

The rock act has also tapped stage designer Martin Phillips to help create "the most ridiculous display of lights and images we can imagine," Hoppus said in a statement. Phillips has worked on tour stage designs for such artists as Kanye West, Daft Punk and Nine Inch Nails.

Rumors that Blink-182 could reunite after its messy split in 2005 started last year after Hoppus posted a blog saying that Barker's survival and the death of Blink-182 producer Jerry Finn had put the band members back in touch.

"Unfortunately it took something catastrophic to do it, but sometimes that's how life is," Devoe says. "These guys got together for the right reasons."

Blink-182 confirms that it is writing new songs, but "the word on the street is that this tour is about the hits," says Devoe, who couldn't say when a new album might be released.

The manager adds that Blink-182 fans who are short on cash this summer will be happy to learn that amphitheater lawn tickets will be available for $20. "If you have $20, you get in. No fees or anything," he says.

Tickets for the Live Nation-produced tour go on sale May 30 at livenation.com.

Blink-182 doesn't plan another North American tour until the band releases a new album, Devoe says. He notes that Blink-182 can't work as quickly as it used to because the band members have family obligations and live in different cities.

"Everyone has got full lives," the manager says. "It's a different Blink, in the sense that you have to pick your kids up after school, and one of your kids has dance class and the other kid has this."

http://www.reuters.com/article/entertainmentNews/idUSTRE54F04P20090516

No Doubt puts touring before studio work


In between bites of a Cobb salad at New York's Tribeca Grand Hotel, Gwen Stefani is explaining why No Doubt is going on tour for the first time in five years without a new album to promote.

"Honestly, it's procrastination," she says with a sigh. "My plan was to get pregnant and write a record, but instead of writing, I just ate all the time."

Stefani laughs as she pops a tomato in her mouth. "Writing is always really hard for me -- I hate it and hate it and then I do it, and I'm happy it's done," she says. "I was blocked and I needed to get inspired, and I thought playing live would get the creative juices flowing again."

Which isn't to say Stefani and her No Doubt bandmates haven't been busy since the 2001 release of their last album, "Rock Steady." Stefani, who has two sons, ages 8 months and 3 years, released two solo albums, "Love. Angel. Music. Baby.," which sold 4 million copies, and "The Sweet Escape," which sold 1.7 million, according to Nielsen SoundScan. Bassist Tony Kanal did production work on Stefani's albums and wrote songs with artists including Pink. Guitarist Tom DuMont produced two records, scored a documentary and was a stay-at-home dad. Drummer Adrian Young did session work and played golf.

Now they'll be together for a tour that starts Saturday (May 16) in Las Vegas and ends August 1 in Irvine, California.

Hitting the road without new material after years of relative silence might seem like a risk, but the band's manager, Jim Guerinot, was delighted when the group approached him with the idea. "I think it's the right move," he says. "Even though they remained friends throughout the hiatus, they've all been working on other projects and haven't spent a lot of time together. They've become more of a unit in the time they've been rehearsing together and played a few shows, and I think this will change things for the positive."

'A WEIGHT WAS LIFTED'

So far, the reception has been enthusiastic. Tickets have been selling briskly for the shows; seven dates in Southern California have sold out, according to Live Nation spokesman John Vlautin, as have shows in Houston, Denver and at Jones Beach on New York's Long Island.

The band started rehearsing in Hollywood, then set up shop in Atlantic City, New Jersey, to prepare for East Coast dates. "As soon as the pressure to make a new album was off, it was like a weight was lifted," Stefani says. "I could get back into learning the songs and planning the show, and it was so much more fun than banging my head against a wall in the studio."

No Doubt wants to make it clear that it's not another '90s band looking to hit the road and cash in on the band's greatest hits. "I don't see us as being part of that '90s revival," Kanal says. "We were always a band, even when we weren't playing together."

The group also wants to make sure its audience doesn't consist entirely of twenty- and thirtysomethings who know the band only through "Just a Girl," its 1995 breakthrough hit single. So it will give away digital copies of its three studio albums to anyone who buys tickets in the top two price tiers. (Seats for No Doubt's run of summer dates range from $10 for lawn seats to $80 for the best seats, with $59.50 and $24.50 price points in between.)

"Tom had the idea to give the albums away electronically for free with the ticket purchase," Guerinot says. "A lot of people like Gwen's solo work but might not be as familiar with No Doubt. There are people who might not have listened to the records in a while."

DuMont says that giving away the catalog seemed like an obvious value-add. "Lots of bands give away their new CDs, but we didn't have one of those," he says. "I've always thought you should be able to go and buy an entire catalog in one click, so you could get a broad representation of a band's work."

In his mind, giving the music to fans is a continuation of No Doubt's time-tested strategy. "When we first started out, we had mailing lists and parties where we'd sit and lick stamps for hours. This is a more modern version of that. And we won't get high off of licking stamp backing, either."

'TODAY' AND TOMORROW

If the band is worried about fans forgetting the hits, it shouldn't be. At recent performances on NBC's "Today" and at the Bamboozle festival in New Jersey, the audience sang along as the band ripped through a set of its greatest hits, including "Spiderwebs," "Don't Speak" and its cover of Talk Talk's "It's My Life." The audience at both events leaned slightly older, and at Bamboozle, when Stefani asked those in the crowd to raise their hands if it was their first No Doubt show, many did. Still, they proceeded to sing along to most of the songs.

After the joys of parenthood and channeling their inner Tiger Woods, the band members will do their best to maintain a semblance of normalcy on the road. All admit to being fitness fanatics, and they're indulging their need to jog while touring. "We travel with two personal trainers," Kanal says. "We make hotels keep their gyms open late so we can work out. We're getting older, and we can't party like we used to."

But Kanal says that being older has plenty of perks. "We got to live though the record industry in its heyday. When we started, we were in a van and looking for change under the seats so we could buy food. We went from that to having a hit and getting to do things like make music videos with million-dollar budgets."

Stefani says she and the rest of the band aren't interested in "gratuitous fame," but she still finds herself in the spotlight. "I have to wear makeup to the gym because I get some dude doing sit-ups next to me and surreptitiously taking pictures," she says.

And although Stefani cheerfully shows off pictures of her sons, Kingston and Zuma, she'd rather talk about her ventures as a businesswoman, albeit in a self-effacing manner. Her clothing line, LAMB, is in its seventh year, and she also has her own perfume. Still, Stefani is slow to take credit for it all.

"I'm a good collaborator," she says. "I'm always open to other opinions, and I can do things like have meetings at my house and juggle it all. I'm actually heading to a five-hour meeting about the new line of handbags after this, and I'm pretty excited. I started it seven years ago and never thought it would last, but here we are."

During the "Today" performance, Stefani and her cohorts were self-assured, despite worries the day before that they might forget parts of the set. There was a moment during the intro solo of the track "Don't Speak" where a slight tension rose among the members, but it quickly dissipated as DuMont hit every chord and Stefani's voice kicked in. Backstage, the visibly relaxed band conducted an interview with a local morning news anchor, who had attended some of the act's mailing-list parties in the early '90s in Orange County.

"We're from Anaheim," Stefani says with a laugh as she considers her opportunities. "This is cliche to say, but we never thought this would happen to us. We built a studio in the garage, and now we're driving around on tour with a bus that has a studio in it. We survived it all and we're still friends, and that's great."

http://www.reuters.com/article/entertainmentNews/idUSTRE54E6DU20090515

Lionel Richie, Cyndi Lauper among 'Idol' acts


"American Idol" finalists Kris Allen and Adam Lambert will be opening up for a few music legends.

Lionel Richie, Carlos Santana, Cyndi Lauper, Queen Latifah, Black Eyed Peas and Keith Urban are among the artists scheduled to perform on Wednesday's finale before either Allen or Lambert is crowned the eight season champion.

Previous "Idol" winners David Cook and Carrie Underwood will also croon on the two-night finale. Underwood will perform on Tuesday's episode, which will feature Lambert, a 27-year-old theater actor from San Diego, and Allen, a 23-year-old college student from Conway, Ark., duking it out for a record contract and the title of "American Idol."

http://hosted.ap.org/dynamic/stories/U/US_TV_AMERICAN_IDOL_FINALE_PERFORMERS?SITE=AP&SECTION=HOME&TEMPLATE=DEFAULT&CTIME=2009-05-15-18-43-01